The Build, In Order

From rough plank to finished gun. Nothing is rushed and nothing is skipped.

01
Source
Teak and salvaged mahogany are selected board by board for grain density and straightness. Most boards get rejected.
02
Laminate
Strips are book-matched and pressed into a blank — usually four strips, sometimes more for color symmetry.
03
Shape
The blank is cut, planed, and hand-sanded down to final profile. Every gun comes out slightly different.
04
Fit
Trigger mech and band rigging are bedded into the wood and tested for play before anything is sealed.
05
Finish
Multiple coats of marine oil, hand-buffed between each. The grain gets darker and deeper with every coat.
Part by Part

The same handful of components, rebuilt and refit on every gun.

No two are the same.
Because every blank is laminated from a unique board, no two guns share an identical grain pattern. The process is repeatable — the result never is.
Things to Consider

Some notes on power band physics.

Beyond Hooke's Law

The simple model treats a band like a spring: force rises in a straight line with stretch, and stored energy is just a triangle under that line. Real latex doesn't behave that cleanly. It's viscoelastic — stiffer the faster you stretch it, and it gives back less energy than you put in. Two formulas, two very different answers:

Simplified modelEnergy ≈ ½ × F(peak) × stroke length
Real modelEnergy = the area under the actual force curve, integrated over the full stroke

The gap between those two numbers is the whole reason "just add more bands" stops paying off the way the spec sheet suggests it should.

Energy Stored — Straight-Line Model vs. Real Curve
The simplified model treats the area under the force curve as a triangle — ½ × peak force × stroke length. The real curve sits below that line through most of the draw, then stiffens faster than linear near full stretch. The shaded gap between the two is the error baked into the simplified math.

The hysteresis loop

Load a band and release it, and the loading curve and the unloading curve don't trace the same path — they form a loop. The unloading curve sits below the loading curve at every point in between, which means some of the energy you put in during the draw never comes back out on the shot. That gap is hysteresis loss, and on amber latex it typically runs 15–20% per cycle. Hold a gun loaded too long before the shot and a second effect, stress relaxation, stacks on top of it — tension can bleed off another 10–15% the longer the band sits stretched.

Loading vs. Unloading — The Hysteresis Loop
Both curves start and end at the same two points — slack and full draw — because that's where the band physically has nowhere else to go. In between, the unloading curve runs below loading at every position. The shaded gap is energy that went into stretching the band but never came back out as shot power.

Why a roller gun out-shoots a traditional gun of the same length

A traditional muzzle-tied band is fully slack the instant the shaft clears the muzzle — right when you'd want the most push left. A roller, anchored back along the barrel through a pulley, keeps the band under real tension across nearly the whole stroke instead of bleeding it off early. The force doesn't ramp in a straight line — it climbs fast off the bottom, holds flat through the middle of the stroke, then finishes near peak. More area under that curve means more energy delivered to the same shaft over the same length of gun.

Anchor Point — Traditional vs. Roller
The shaded band above each barrel is a rough sketch of tension across the stroke, not a measurement. Tied at the muzzle, a traditional rig has nowhere left to hold tension once the shaft gets there. Anchored back along the barrel through a roller, the band stays loaded almost to the very end.
TRADITIONAL MECH MUZZLE Tension bleeds to zero at the muzzle. ROLLER MECH ROLLER Tension holds flat until the very end.
Force Profile — Traditional vs. Roller
Traditional rigging bleeds tension in a straight line down to zero at the muzzle. A roller holds tension flat and high through the middle of the stroke — the "boxy" profile — before tapering off only at the very end. The larger shaded area is the extra energy a roller delivers from an identically rigged band set.

A worked comparison

Put rough numbers on the two layouts above and the gap shows up in real units, not just shape-of-curve. Same stock, same general band stretch — the roller's longer effective power stroke is what makes up for running fewer, lighter bands.

SpecTraditionalRoller
Stock Length58 in58 in
Band Count32
Power Stroke34 in46 in
Peak Band Force~390 N~430 N
Potential Band Energy (F × D)~340 J~500 J
These are illustrative figures, not a spec sheet off a real build — and F × peak-distance is the same simplified math flagged in Beyond Hooke's Law, not the true area-under-curve integral. Good for ballpark comparison between two layouts, not for engineering precision.

The hydrodynamic ceiling

Drag underwater rises with the square of speed, so a shaft doesn't just slow down faster as it goes quicker — it hits a hard velocity ceiling no matter how many bands get added behind it. Past a certain point, each extra band buys a shrinking return, because the shaft simply can't move fast enough to use the extra force before drag eats it.

Terminal velocity, rough formv(max) ∝ √(retractive force ÷ drag coefficient × frontal area)
Band SetupEnergy InEfficiencyEnergy to Shaft
Dual 14mm, Small ID480 J88%422 J
Triple 14mm, Small ID720 J81%583 J
Quad 16mm, Standard1,100 J62%682 J
Hexa-Bands1,550 J39%604 J
The loss percentages above are illustrative, not a literal drag-coefficient measurement — modeling latex drag underwater precisely would take its own lab study. What holds regardless of the exact numbers: past three or four bands, losses compound fast enough that a hexa-band setup can deliver less energy to the shaft than a well-matched triple.

That's drag on the shaft. There's a second, less-talked-about ceiling: drag on the band itself. A stretched band doesn't snap back instantly — water resistance acts on the rubber too, and the material has its own physical limit on how fast it can contract. Past some band count, the bottleneck may not be the shaft at all; the bands could be racing against their own maximum contraction speed before the shaft has even cleared the barrel. Nobody's pinned this down precisely — it's a high-speed-camera question, not a spreadsheet one — but it's worth knowing the ceiling probably has two causes stacked on top of each other, not one.

Mass matching

Kinetic energy scales with velocity squared but only linearly with mass, so a lighter shaft driven by the same bands moves faster — but past a point, a shaft too light just gets outrun by its own bands and loses accuracy and penetration. Matching shaft weight to band power, not maxing either one out independently, is what actually gets more energy on target.

What this means for a Booth gun: it's why bands here are sized to the diver and the target instead of just stacked thicker, why the wishbone is a Dyneema double-wrap instead of a single line, and why shaft weight gets matched to the rigging rather than maxed out for show. The spec sheet is the output of this math, not the other way around.